期刊刊名：環境與藝術學刊 　 卷期：20期

篇名出版日期：2019年2月1日

作者：Shuai-Ping Ku,辜率品

語言：English

關鍵字：modernity, post-modernity, urbanization, cityscape,現代性,後現代性,都市化,城市景觀

被點閱次數：8次

閱讀時間：155sec

摘要：
The study focuses on two film directors, Jacques Tati of French and Edward Yang of Taiwan, as well as their specific films which depict urban transformations and experiences. We might classify them separately, according to their geographical and social context, as modern and postmodern styles. Tati's films, especially for My Uncle and Play Time, show clear intention in interpreting the transformation of modern cityscape and imposition of modernity on our daily life. His films imply both nostalgic sensation and dialectic criticism. On the other hand, Edward Yang's film A One and a Two, which won Best Director at Cannes Award in 2000, sports a sincere aura and contemplating perception reflecting on contemporary urban landscape of Taipei city. Its filming of multilayered and diversified social network of everyday life symptomizes a postmodern urban phenomenon. Based on the temporal division of modern and postmodern as discursive framework, the study looks into the social and spatial transformation of the aforementioned three films. It also attests the possibility in employing the temporal framework to help understand urban transformation. On the other hand, the study tries to clarify the often-confused modern and postmodern issues concerning cityscape. The reason of choosing the three films lies on their lucid readability in terms of the transformation of cityscape.

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