| 篇名 | 作者 | 刊名 | 卷期 | 出版年份 |
| 以事顯理，以理明事——星雲大師《自學之道》中「理事圓融」之敘事模式=Use things to show reason, use reason to understand things--The narrative model of "integration of directors" in Master Hsing Yun's "The Way of Self-Study" | 高知遠,Chih-Yuan Kao | 文學新鑰 | 38期 | 2003/7/1 |
| 《而蓭詩話》中創作主體之理論內涵及其發用=The Theoretical Connotation and Application of the Creation Subject in “Er Ruo Shi Hua” | 高知遠,Chih-Yuan Kao | 文學新鑰 | 37期 | 2003/7/1 |
| 由志敷言，即言見志－－龐塏《詩義固說》之理論範型及其思維=From thought produces language, and language directly corresponds to thought--The Theoretical Model and Thinking of Pang Ya's "Shi Yi Gu Shuo" | 高知遠,Chih-Yuan Kao | 文學新鑰 | 36期 | 2003/7/1 |
| 《我不是「呷教」的和尚》中再現形象之內在圖景="I am not a monk who eats education" Reproduce the inner picture of the image | 高知遠,吳子呈,Zhi Yuan Kao, Zicheng Wu | 文學新鑰 | 33期 | 2003/7/1 |
| 當驟雨來襲－顧德莎《驟雨之島》之主導符碼與敘事結構=When Showers Strike--the Leading Symbols and Narrative Structure of Gu Desha's "The Island of Rain" | 高知遠,Chih-Yuan Kao | 文學新鑰 | 32期 | 2003/7/1 |
| 綴文者情動而辭發，觀文者披文以入情─《文心雕龍》「文評論」中「情文相應」之詮釋結構=The Author Writes Articles with Emotions, Readers Experience Feelings with Words--Interpret Structure of the "Literature Mind: Elaborations" | 高知遠 | 文學新鑰 | 29期 | 2003/7/1 |
| 布施要無相，度生要無我─談《貧僧有話要說》中的超越意識=Alms must Leave No Traces to Help Everyone be Selfless--Transcendence in "The Monk Has Something to Say" | 高知遠 | 文學新鑰 | 27期 | 2003/7/1 |
| 「志足而言文、情信而辭巧」—《文心雕龍》「樞紐論」中「情文相應」之理論範型=Emotional Respond Form's Theoretical paradigm in Core theory of "The
Literature Mind: Elaborations" | 高知遠 | 彰化師大國文學誌 | 35期 | 1996/6/1 |
| 濁水溪文化的經驗意象－羊牧《吾鄉素描》中的感覺結構=Experience Imagery of Zhuoshexi Culture--「Structure of Feeling」of Yang Mu: 《Sketch My Hometown》 | 高知遠 | 文學新鑰 | 25期 | 2003/7/1 |
| 余秋雨《新文化苦旅》的修訂意識－以「發生論文學批評」作為主要視角=Revision meaning of Yu Qiu Yu:《New Difficult Travel of Culture》--By the Literary Criticism of Occur | 高知遠 | 文學新鑰 | 22期 | 2003/7/1 |
| 論楊雲萍文藝觀在其詩作上之實踐 | 高知遠 | 文學前瞻 | 5期 | 2000/6/1 |
| 文化他者的虛構與闡釋─論余秋雨《行者無疆》的組織原則 | 高知遠 | 文學前瞻 | 6期 | 2000/6/1 |