| 期刊篇名 | 卷期 | 作者 | 點閱次數 | 閱覽時間(秒) |
| 傳統音樂復振困境探討—以蘭嶼達悟族karyag拍手歌會夜晚的歌之旋律為例=Exploring the Dilemma of Reconstructing Traditional Music--The Case of the Night-Song-Melody in the Karyag Hand-clapping Party of the Tao People from Orchid Island | 28期 | 呂鈺秀,Yu-Hsiu Lu | 0 | 0 |
| 琴館文化的過去與現在=The past and present of Qin Guan culture | 28期 | 陳雯,Wen Chen | 0 | 0 |
| 「虛擬－紀錄片」—吳柏泓《我的敘利亞鄰居》之雙重模糊性建構="Virtual - Documentary" – The Dual Ambiguity Construction in Wu Po-Hung's "My Syrian Neighbors." | 28期 | 林玟妤,Wen-Yu Lin | 0 | 0 |
| 評論：博物館展覽與本真文化初探—以倫敦國家畫廊為例=Museum Exhibition and Authentic Culture: A Case Study of the National Gallery, London | 28期 | 陳欣婷,Xin-Ting Chen | 0 | 0 |
| 非同質化代幣（NFT）虛擬頭像的市場整體表現、流通性與不同價值的關係=The overall market performance and relationship between liquidity and different values of non-fungible token (NFT) avatars | 27期 | 柯梓偉,伊彬,Zi-Wei Ke, Bin I | 0 | 0 |
| 未來的永續檔案：後博物館時代的NFT應用=Sustainable Archives for the Future: NFT Application in Post- Museum Age | 27期 | 李寅彰,Yin-Jhang Li | 0 | 0 |
| 當NFT已死之後再次回顧科技藝術去中心化的思考—以夢回數位孿生之詩與快按右鍵另存展覽為例=After NFTs Have Died: Revisiting the Decentralization of Tech Art--Through the Lens of 'Dreaming of Digital Twins' and the 'Right-click to Save As' Exhibition | 27期 | 羅禾淋,He-Lin Luo | 0 | 0 |
| 文化相對論：以貝翠斯‧帕森的澳洲原住民藝術研究為例=Cultural Relativism: A Case Study of Beatrice Persson's Australian Aboriginal Art | 27期 | 吳姍蒲,Shan-Pu Wu | 0 | 0 |
| 解放、連結與批判整體論：初探當代藝術中的河流實踐=Exploring River Practices in Contemporary Art: Emancipation, Connection, and Critical Integralism | 26期 | 高俊宏,Jun-Honn Kao | 0 | 0 |
| 當代藝術作為部落傳統與記憶傳承之取徑：以森川里海濕地藝術季為例=Contemporary Art as Tribal Tradition and Memory Inheritance: The Case Study of Mipaliw Land Art Festival | 26期 | 董維琇,Wei-Hsiu Tung | 0 | 0 |
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